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Jacopo Benassi, Alessandro Di Giampietro

12.08.-17.09.2025
City Gallery Brixen / Bressanone

Vernissage: August 12, 2025, 7 p.m.

StadtGalerie Brixen

 

Jacopo Benassi – MAKE WAR NO LOVE
Alessandro Di Giampietro – ECHOES FOR A FORGOTTEN SELF

 

Curated by: Marco Pietracupa

Live performance by Michele Lombardelli and Jacopo Benassi

"These are not bombs! It’s just a drum set!"

 

From 9:00 p.m. onwards, the collective PLACEBO SYSTEM will present a DJ set with P4, accompanied by a video projection by Alessandro Di Giampietro.

Jacopo Benassi – MAKE WAR NO LOVE

Make war. Do not make love.
Break. Destroy. Hate.
Gentleness is useless.
The flowers are on strike, and the sky is brown.
No more photos – perhaps without images, thinking will start again.
Even about love.

 

Performance:
These are not bombs! It’s just a drum set!
Michele Lombardelli and Jacopo Benassi have been working together for several years, carrying sound into image, through people.

 

Alessandro Di Giampietro – ECHOES OF A FORGOTTEN SELF

The artistic research of Alessandro Di Giampietro arises from the observation of human identity as an interplay of facets that shape iconic behavioral patterns in contemporary society.

The installation offers an overview beginning with a selection of “chewed-up” Polaroids (2009–2011). These are portraits of figures from the world of contemporary art whose identity has been altered through the artist’s interventions—tears and reconstructions of the images.

The theme of identity shifts also recurs in the series Plastica masticata (2022–2025): works in transparent PVC, painted on the back, cut apart, and stitched back together with metal staples. Here, the masks of archetypes—such as in the case of the Rivelate—transform into stereotypes: they allude to plastic surgery, showing scars and unhealed wounds linked to the non-acceptance of one’s identity. They are characterized by a chromatic saturation that reflects the expansion of the ego in today’s age of appearances.

 

Text by Alberto Mugnaini (excerpt)

Foto Carmen Brucic

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